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The Lovely Bones
On her way home from school on a snowy December day in 1973, 14-year-old Susie Salmon ("like the fish") is lured into a makeshift underground den in a cornfield and brutally raped and murdered, the latest victim of a serial killer--the man she knew as her neighbor, Mr. Harvey. Alice Sebold's haunting and heartbreaking debut novel, The Lovely Bones, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case. As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams," where "there were no teachers.... We never had to go inside except for art class.... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue."
   
The Conspiracy Club
Over the course of twenty acclaimed novels of suspense, most recently The Murder Book and A Cold Heart, New York Times bestselling author Jonathan Kellerman has pitted psychologist Dr. Alex Delaware against adversaries as disturbed and dangerous as Delaware is clever and compassionate. Now in Kellerman’s gripping new novel, a different hero will hold the reader spellbound: a dedicated young psychologist, unschooled in the ways of violent crime and incalculable evil–until his life is irreversibly touched by both . . . and he is thrust into a chilling hunt for a twenty-first-century Jack the Ripper.

When his brief, passionate romance with nurse Jocelyn Banks is cut short by her kidnapping and brutal murder, Dr. Jeremy Carrier is left emotionally devastated, haunted by his lover’s grisly demise and warily eyed by police still seeking a prime suspect in the unsolved slaying. To escape the pain, he buries himself in his work as staff psychologist at City Central Hospital–only to be drawn deeper into a waking nightmare when more women turn up murdered in the same gruesome fashion as Jocelyn Banks . . . and the suspicion surrounding Jeremy intensifies. Now, the only way to prove his innocence and put his torment to rest is to follow the trail of a cunning psychopath.

   
Blow Fly
From Publishers Weekly... "Please don't go there. The past is the past," sighs New York Assistant District Attorney Jaime Berger, who herself was introduced in Cornwell's last Kay Scarpetta novel, The Last Precinct (2000). Alas, many of Cornwell's fans are bound to agree. One fascinating nonfiction bestseller (Portrait of a Killer: Jack the Ripper, Case Closed) later, Cornwell now returns to Scarpetta, formerly Virginia's chief medical examiner. From the start, however, the formidable author is up against the equally formidable task of getting her charismatic main character off ice and back in action. We encounter Scarpetta languishing in a crumbling little rental house in Florida. She has taken refuge there and become a private forensic consultant after she was driven from her job for her alleged involvement in the murder of a deputy police chief. The violent death of her lover, Benton Wesley, the brilliant FBI psychological profiler, has left her filled with an unappeasable grief. When the coroner in Baton Rouge asks her advice on a cold case concerning an affluent woman found dead of a drug overdose in a seedy hotel, it seems little more than a diversion. Yet it becomes clear that the overdose may be related to a fresh string of serial killings. Also disturbing Scarpetta's somber peace is a troubling letter from someone out to kill her, the sick and obsessed death-row inmate Jean-Baptiste. When Scarpetta is at last allowed to get back to business, she is a feisty, independent powerhouse whose capacity to concentrate and observe rivals Sherlock Holmes's. But too much of this book is bound up in retrospective musings about events in previous books. The great Scarpetta, her fiery crime-busting niece, Lucy, and a colorful supporting cast deserve better. (Copyright 2003 Reed Business Information, Inc.)
   
In Morality for Beautiful Girls, Precious Ramotswe, founder and owner of the only detective agency for the concerns of both ladies and others, investigates the alleged poisoning of the brother of an important “Government Man,” and the moral character of the four finalists of the Miss Beauty and Integrity Contest, the winner of which will almost certainly be a contestant for the title of Miss Botswana. Yet her business is having money problems, and when other difficulties arise at her fiancé's Tlokweng Road Speedy Motors, she discovers the reliable Mr J.L.B. Matekoni is more complicated then he seems
   
  Lost Boy, Lost Girl
A woman commits suicide for no apparent reason. A week later, her son—beautiful, troubled fifteen-year-old Mark Underhill—vanishes from the face of the earth. To his uncle, horror novelist Timothy Underhill, Mark’s inexplicable absence feels like a second death. After his sister-in-law’s funeral, Tim searches his hometown of Millhaven for clues that might help him unravel this mystery of death and disappearance. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother’s suicide Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No mere empty building, the house on Michigan Street whispers from attic to basement with the echoes of a long-hidden true-life horror story, and Tim Underhill comes to fear that in investigating its unspeakable history, Mark stumbled across its last and greatest secret: a ghostly lost girl who may have coaxed the needy, suggestible boy into her mysterious domain.
With lost boy lost girl, Peter Straub affirms once again that he is the master of literary horror.
   

Girls in America: Their Stories, Their Words

"Girls learn to keep quiet about pain, rage, intelligence, desires, ideas and dreams." So writes Carol Cassidy, who interviewed 28 girls ages 14 to 19 for Girls in America: Their Stories, Their Words, a book in which she encouraged girls to break their silence.

 

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